Vincent Colaiuta

Vinnie Colaiuta at PASIC back in the day.

Vincent Colaiuta (born February 5, 1956) is an American drummer based in Los Angeles. Originally from Republic, Pennsylvania, he began playing drums as a child and received his first full drum kit from his parents at the age of 14. He is notable for his technical skill and his musical versatility, having played with many artists from a wide variety of genres.

Birth name	Vincent Colaiuta
Born	February 5, 1956 (age 55) Brownsville, Pennsylvania United States
Genres	Jazz, Fusion, Rock, Funk, Post bop,Pop
Occupations	Musician
Instruments	Drums
Years active	1978–present
Associated acts	Frank Zappa, Sting, Chick Corea,Jeff Beck, Herbie Hancock, Tal Wilkenfeld, Five Peace Band,Megadeth, Nik Kershaw

After attending the Berklee College of Music in Boston for a year, Colaiuta had his first big break as a member of the Christopher Morris Band in 1976-1977. Playing and recording with the Christopher Morris Band (MCA 2282) in 1977, Colaiuta relocated with the band to Los Angeles. After leaving the Christopher Morris Band, he made a mediocre living playing with lounge bands. His next break came in April 1978 at the age of 22, when Colaiuta auditioned for Frank Zappa, an audition that involved performing the notoriously difficult piece entitled "The Black Page". The audition was successful and Colaiuta went on to work with Zappa as his principal drummer for studio and live performances. He played on the successful Zappa albums Tinsel Town Rebellion, Joe's Garage, and Shut Up 'n Play Yer Guitar. Joe's Garage was named one of the top-25 drumming performances of all time in a 1993 Modern Drummer article.

About Colaiuta's ability to play Zappa's notoriously complex music and the complex style of polyrhythms, guitarist Steve Vai told the following story:

He's one of the most amazing sight-readers that ever existed on the instrument. One day we were in a Frank rehearsal, this was early '80s, and Frank brought in this piece of music called "Mo 'N Herb's Vacation." Just unbelievably complex. All the drums were written out, just like "The Black Page" except even more complex. There were these runs of like 17 over 3 and every drumhead is notated differently. And there were a whole bunch of people there, I think Bozzio was there. Vinnie had this piece of music on the stand to his right. To his left he had another music stand with a plate of sushi on it, okay? Now the tempo of the piece was very slow, like "The Black Page." And then the first riff came in, [mimics bizarre Zappa-esque drum rhythm patterns] with all these choking of cymbals, and hi-hat, ruffs, spinning of rototoms and all this crazy stuff. And I saw Vinnie reading this thing. Now, Vinnie has this habit of pushing his glasses up with the middle finger of his right hand. Well I saw him look at this one bar of music, it was the last bar of music on the page. He started to play it as he was turning the page with one hand, and then once the page was turned he continued playing the riff with his right hand, as he reached over with his left hand, grabbed a piece of sushi and put it in his mouth, continued the riff with his left hand and feet, pushed his glasses up, and then played the remaining part of the bar. It was the sickest thing I have ever seen. Frank threw his music up in the air. Bozzio turned around and walked away. I just started laughing.